Chapter 99 Yellow Earth Pastel Vase
"I like this pair of yellow earth pastel baby birthday amphora even more."
Tang Miaomiao pointed at the two identical porcelain vases on the table. She really liked the bright colors on them.
"This pair of bottles is really good, each of them is close to 80 cm, with a dignified shape, with a twisted neck, Kuilong ears on both sides, turquoise green glaze with gold and red two-color embellishments, folded shoulders and curved abdomen , the lines are smooth and smooth, the neck is yellow glaze on the ground, the mouth is painted with gold color, followed by a turquoise green ruyi cloud pattern, followed by a carmine red bat and a gold-colored bat with a turquoise green glaze on the tail. On both sides are black-colored fat catfish, and a turquoise green glaze is hung on the tail of the long halberd, forming a 'Jiqingyouyu'. The most striking is a blooming lotus, with stretched branches and leaves, and a ganoderma on top of the stamens. Next is the basket-colored little Chilong, plus a variety of large and small lotus flowers and colorful clouds, which are complex and splendid."
Xu Desheng nodded, this type of bottle was rich in color, and to put it horribly, it was colorful. As a girl, Tang Miaomiao liked this kind of porcelain is not surprising at all.
"The shape of the vase is huge and the porcelain surface is wide, which is very suitable for painting."
"This is a picture of a hundred babies celebrating their birthdays."
"The mountains in the distance are as green as the green after the rain, the river is coming from the east, and there is a pavilion, pavilions and pavilions in the vicinity. There are rockeries and rocks in the garden, and flowers and trees are swaying. Playing, some dancing dragon lanterns, some playing lions... all kinds of gestures, all kinds of expressions, all of them are clear and comfortable, if you observe carefully, you can find that the whole picture is composed by the scatter perspective method of Chinese painting. The boy's depiction follows the traditional pastel character sketching skills, pays attention to the proportions of the whole body, and uses "walking seven, sitting five, running four, and panning three and a half", it is really wonderful, not a master, can not do this. ."
"This is not so much a porcelain, but a high-level Chinese painting!"
Zhu Deyuan couldn't help but sigh.
The paintings on Chinese porcelain, especially the large-scale porcelain fired in official kilns, are often very delicate. These craftsmen have extremely advanced painting skills. Although their words are on porcelain, they are nothing like those on rice paper. The difference is that it is very difficult to do this. It is necessary to know that the texture of the surface of the porcelain is completely different from that of the rice paper, not to mention that the rice paper is a flat surface, but the porcelain has a curvature, which adds a lot of difficulties to painting on it, so we say Each of these porcelain-firing artisans is a master painter.
Zhu Deyuan and Xu Desheng were sitting on the sofa, drinking tea and chatting. The two of them were getting old, and they were very tired after consuming several hours of energy.
Tang Miaomiao had already called to order takeout as early as two hours. Considering the age of the two old gentlemen, it was of course impossible to be a big fish at this time, so he ordered bird's nest.
Zhu Deyuan and Xu Desheng couldn't hold it any longer after drinking and testing, so they went home to rest. Only Song Yun and Tang Miaomiao were left in the treasure box.
"Mr. Zhu and Mr. Xu, they forgot one thing, and they still haven't read an ancient book."
Song Yun sent Zhu Deyuan and Xu Desheng away, and then suddenly remembered this matter.
"The two of them are exhausted now, and even if they think about it, they can't watch it!"
Tang Miaomiao changed the water to make the tea again. Zhu Deyuan and Xu Desheng finished the identification of the porcelain, and their energy was very exhausted. How could they even care about reading ancient books?
In the eyes of ordinary people, the identification of antiques is just a matter of looking and touching. In fact, it is far from the case. It involves a lot of basic knowledge. In addition, it is necessary to clearly see all the details of all parts of the porcelain. But this must consume huge eyesight, staring at a piece of porcelain for several hours, and mobilizing all the stored knowledge in the brain for comparative analysis. This is no joke, so the whole process is compared with a high-level The intensity of exercise doesn't make much difference, especially if it's all done in a short period of time, it's even more frightening.
Zhu Deyuan and Xu Desheng are not too young. At their age, they firmly believe that the real method of antiques should be long-term research rather than assault, so that they can survive. There is a special word in antiques called "playing". They don't mean the same thing. They have the same similarities. What's more important is that playing is an identification process. Play today, identify and study, and then identify and study when you play tomorrow. This is today's antique, the most correct. way of opening.
Song Yun drank tea in the Treasure Pavilion for a while and left. It was late and he had to go back to rest.