Chapter 1856: The Talents in the Crew

August 16th, Tuesday, after 8:00 a.m., Nikmai TV Station, "Detective Twilight" crew office, conference room.

Along with Nakamura Sachie's drink, there was also a handsome man in his thirties.

"Detective Mori, this is the screenwriter by Koda Duo."

"Hi, Mori Detective, it's great to have you here," said screenwriter Koda Offo.

Mao Li smiled and said: "Where, you are too polite, I just provide some examples for your reference, it is you who actually compiled them."

Conan asked excitedly: "Hey, you are the screenwriter of Matsuo Koda, did you write "The 52nd Chamber of Secrets"?"

Screenwriter Offor Koda smiled and said, "Yes, you like it too."

"I like it very much." Conan asked, "How did you think of it?"

"I just saw someone constructing it once, and then I had an idea, so I thought of it."

The screenwriter Kada Offo and Conan chatted about the "Detective Twilight" TV series in this way, and then Lan joined in.

Satoshi Nakamura chatted with Maori, brought the topic to the previous cruise incident, and included Yamazaki, but Maori basically talked about it afterwards.

Satoshi Nakamura was a very good listener, and occasionally talked to Yamazaki so that Yamazaki would not be idle.

Yamazaki was a little bit emotional, it seems that the receptionist must have some professional standards.

The conversation lasted for more than half an hour, before nine o'clock in the morning, and then a tall and thin man in his forties came in.

"Ah, this is..."

"Ah, this must be the famous detective Mori Kogoro, I'm Akira Sakuma, please give me your advice later."

The screenwriter Akira Sakuma interrupted Nakamura Sachie's introduction and walked over directly.

Maori got up quickly and said, "Where, please give me your advice later."

Screenwriter Koda Offo stood up and said, "Senior Sakuma."

The screenwriter Akira Sakuma said: "You came early, Xiangtian, and you are short of Yagami again."

"What do you want to drink?" Nakamura Satomo said, "Mr. Yagami said that he would go back to Shibu's house to worship yesterday, so he must not have come so early today."

"Let's have a cup of coffee then."

"Okay, please wait a moment."

Nakamura Sachie left, and screenwriter Akira Sakuma sat down instead of her, and then he hosted the chat room, but his hospitality skills were too bad, and everyone except Mori was silent.

Not long after, Nakamura Sachie came back to save the field. ...

At around 9:30 in the morning, the producer Ryoko Inoue walked in with a man in his fifties with a big belly.

Screenwriter Koda Offo stood up, "Mr. Yagami."

"Why did you come here?" Screenwriter Akira Sakuma said.

"Sorry, sorry, traffic jam."

Producer Inoue introduced: "Mr. Mori, this is the editor-in-chief of Yagami."

"Detective Maori, I'm Ryoji Iori, I'm really sorry to keep you waiting."

"Hello Hello."

Producer Inoue clapped his hands and said: "Okay, everyone, please sit down, let's go straight to today's topic."

The editor-in-chief Yagami said: "Who is that, can you pour me a cup of coffee?"

"Yes, I'll go right away." Satoshi Nakamura responded.

"Let me go, Yagami-sensei is most satisfied with the coffee I make." Screenwriter Koda Offo smiled, and then said to Mamori and the others, "Everyone's drinks are finished, I'll bring you another cup."

Screenwriter Koda Offo went out without waiting for everyone's answer, and Yamazaki went to the bathroom as an excuse to follow.

I just felt the danger, and it came from the screenwriter of Koda Offo.

What he wants to do, I don't know.

However, it can be predicted that his motive is to have talent but not to use it.

Conan likes his script, which shows that he is talented,

But from what I learned from the chat just now, there are not many episodes shot according to his script.

In other words, he was suppressed, and the pressure should come from his own seniority system, and the editor-in-chief of Yagami, who has a big belly but a small mind, is also responsible. ...

Pantry.

Yamazaki approached screenwriter Kada Off, and could feel the danger emanating from him, and he was planning to kill someone.

Screenwriter Koda Oufu saw Yamazaki coming over, "Ah, you don't need to come here, I can handle it by myself."

While talking, the danger on the screenwriter of Kata Offo dissipated.

Yamazaki said: "No, I approached you for a presumptuous thing. I think you are very talented, but you are not valued. I want to introduce a new working environment to you, which is Mihua TV. You will lead a team."

Screenwriter Kada Offhand was a little caught off guard, "Well, aren't you joking?"

"I'm not joking," Yamazaki said, "and Mihua TV will be responsible for the procedures and expenses related to job hopping, so you don't have to worry about it. I believe you can earn back the relevant expenses for Mihua TV. You have this value."

Because of being affirmed, the screenwriter Koda Offo was a little moved, "Thank you, thank you."

Yamazaki said: "But the question now is, are you willing to believe me, even if I call someone now, if you think I am lying to you, I have no way to prove it now."

"It doesn't matter," screenwriter Koda Oufu said with a smile, "it's not just a matter of time anyway."

"Indeed." Yamazaki said with a smile, and at the same time thought to himself, since screenwriter Kada Offo said so, it means that he is not going to do anything now, and then said, "Then, please give me your mobile phone number, and I will take it when I have time." You go to Mihua TV, and then you decide whether you want to change jobs or not.”

Screenwriter Koda Offo hesitated for a moment, but decided to take a trip, after all, there is no loss, "Okay, I'll leave it to you when the time comes."...

meeting room.

I don't know the progress of the meeting. Anyway, Maori talked about a lot of cases, and Satoshi Nakamura made the minutes of the meeting.

However, in Yamazaki's view, Iori made the second editor seem to be perfunctory, probably because he was dissatisfied with Uncle Mori's participation in the screenwriting, but due to the pressure of ratings, he had to agree to find Uncle Mori for material.

The meeting lasted until noon, Producer Inoue looked at his watch, "Well, Mr. Mori, you have already talked about many cases, thank you very much, if you don't mind, can I invite you to lunch? "

"Ah, then respect is worse than obedience." Maori agreed without hesitation.

Producer Inoue looked at the editor-in-chief Joe Yagami, the screenwriter Akira Sakuma and the screenwriter Kada Matsuo.

Iori asked the second editor-in-chief to agree, and the screenwriters Akira Sakuma and Kada Dufu also stayed.

"Then, Miss Nakamura, I'll leave it to you here, come and find us later."

"Yes, Team Leader Inoue."

Nakamura Sachie left to tidy up the conference room, and producer Inoue and three screenwriters went out with Mori, and Ran pulled Conan to follow.

Looking at Nakamura Satoshi who was packing up, Yamazaki felt that this was also a talent, so he decided to take her with him later. ...

The lunch was quite rich, but there was no drink and the atmosphere was not very good, so it ended quickly.

"Okay, I came here in a hurry this morning and haven't returned home yet. If I dare to go back and have a look now, I'll leave first."

"I'm sorry too, some information needs to be sorted out."

God asked the second editor-in-chief and screenwriter Akira Sakuma to leave the house, so they left first.

"Then, Mr. Maori, let's go back first. Thanks to your advice, if your case is used in the script, I will explain it to you again."

"Okay, thanks for the hospitality."

Producer Inoue took her people away, and Maori put on a bitter face, "Okay, we're going back too."

Lan was very surprised, "Yeah, Dad, why are you suddenly unhappy?"

Conan laughed and said, "Because those screenwriters obviously didn't intend to use Uncle's case, they only accepted this meeting because of Producer Inoue."

"Isn't it?" Lan asked in disbelief.

Maori glared at Conan, "You talkative boy, but he's right, let's go, what's the matter." Putting his hands in his pockets, he left angrily.

Yamazaki said with a smile: "Lan, I have something to do, so I won't go back with you, please tell uncle for me."

"Okay." Lan Ying said, and then went to catch up with Mao Li, "Dad, walk slowly."

Conan asked Yamazaki, "Hey, what do you want to do?"

"Help people introduce jobs."

"Moff Koda?"

"That's right, he stayed there to make a fool of himself."

"Ha, that's not bad, I hope to see his show soon."

Conan got the answer and ran after Lan.

Yamazaki shook his head amusedly, and then took the phone to call screenwriter Kada Matsuo. ...

Not long after, outside the Nikkei TV station.

Yamazaki met the screenwriter Kada Duo and asked him to call Nakamura Satoshi down.

"Miss Nakamura?"

"Yes, I found that she is also a talent, so I want to bring her with me, but please don't mention it first."

"That's it."...

Not long after, Satoshi Nakamura came, "Well, screenwriter Kata, why did you ask me to come?"

"It's the Maori detective's assistant looking for you."

"Oh, hello."

"That's it. I wonder if you are willing to change jobs?"

"ah?"

For Yamazaki's words, Nakamura Sachie was completely at a loss.

"I know this is a bit sudden for you, and to be honest, I don't know if you will succeed in the end, but this is a good opportunity for you."

Nakamura Satomo glanced at the screenwriter Kata Duo, lowered his head and said incoherently: "No, that, thank you, I don't plan to leave, I think this place is very good."

Screenwriter Koda Offo smiled and said, "Ms. Nakamura, don't worry about me. To be honest, I'm just like you now."

"Huh?" Satoshi Nakamura was surprised.

"Of course the decision is in your hands, but there is no harm in following me, isn't it?" Yamazaki said with a smile, "The taxi is here, let's go."

In the end, Nakamura Sachie obediently got into the car with an unspeakable mood. ...

Yamazaki contacted Tachibana Maya, who was in charge of the Yueyao Department, and Oki Ruri was assigned.

The work of screenwriter Xiangtian Duo was easy to solve, and the interview in the personnel department of Mihua TV was passed immediately.

After being recommended by Oki Liuli, it was immediately decided to let the screenwriter Kawada Off to set up a column group, and allocated the initial preparation funds.

Seeing this, screenwriter Koda Offo immediately made up his mind to resign.

Then the question came, the lawyer asked the screenwriter Kata Off, what kind of contract was signed before, can you get back the script he wrote?

This question, screenwriter Kata Offo really doesn't understand, so I can't answer it.

So, screenwriter Xiang Tianoff hurriedly went back to find a contract. ...

On the other hand, Nakamura Sachie's interview also started. After reading some materials, she received a guest group from a variety show.

Seeing Nakamura Sachie's thoughtful hospitality, Oki Ruri smiled and said, "Mr. Yamazaki, the person you recommended is planning to steal the opportunity of us public relations managers."

"I don't mean that, but by the way, she is still far behind Miss Liuli." Yamazaki said, "But train well, and I can share some work for you in the future."

Damu Liuli smiled and said, "Don't you understand? Another meaning of sharing work is to be replaced."

"The work is endless." Yamazaki said with a smile, "but if you think she's inappropriate, I'll take Miss Nakamura to another department."

Damu Liuli smiled and said: "Forget it, I'll accept this person. It's better to have a teacher-student relationship than nothing. This person is born with good communication skills. If I let her go, when she emerges, the minister will definitely say that I am narrow-minded." .”

Yamazaki said with a smile: "Okay, then I'll finish my work and go back first." Then he warned, "Don't force Xiangtian's screenwriting."

"I know, those scripts are things of the past, and the key is people in their hands." Damu Liuli smiled, and then asked, "By the way, do you want to send a car to take you?"

"Need not."……

Later, due to contract issues, the screenwriter Koda Offo did not get back his scripts. The copyright of those scripts belonged to the "Detective Twilight" TV series crew. He could say that he wrote those scripts, but he could not use those scripts in other places.

At the same time, the contract stated that the screenwriter Koda Offo cannot publish the script of modern detective dramas within ten years, the reason is to prevent the screenwriter Koda Offo from using the idea of ​​"Detective Twilight" in advance.

In addition, there is a clause in the contract about compensation for job hopping, either three months' notice in advance, or compensation for three months' salary.

Fortunately, the screenwriter's salary is only ordinary, and it all depends on the dividends from the script, so he lost money and left.

The screenwriter Koda Offo finally chose to become the screenwriter of the detective drama of the times, and cooperated with the female action star Satomi Yoshino introduced by Mihua TV, and soon became a famous screenwriter. ...