Chapter 114 The Song of Ultraman

Altman's soundtrack is amazing.

Perhaps Tsuburaya has one or another flaw, but in his attitude towards the work, he definitely did not perfuse the audience.

Even the new generation who has been slandered by others is not without merit.

When it comes to Tsuburaya's soundtrack, five iconic composers have to be mentioned.

The five are Toru Fuyuki, Tatsumi Yano, Toshihiko Sahashi, Kenji Kawai and Takao Konishi.

There are many composers who have collaborated with Tsuburaya, but these five are the most representative ones.

Fuyuki Toru is a symbol of Showa Oku, and is known as the "Father of Ultraman Music" in Neon. He is responsible for producing many Showa "Ultraman" works and part of the soundtrack of Goss.

Yano Tatsumi may be the most well-known person in the country among the four. He is responsible for the music production of a series of Heisei Olympia such as Tiga Dyna. Tiga's TV theme song "take me higher" was composed by him.

Sahashi Toshihiko represents the post-Heisei era. He not only produced the music of Parvat, Gaia, Mebius and Super Eight theatrical versions, but also produced the music of many Kamen Riders, including many knights including Kuraga. From this one.

Takao Konishi was Tsuburaya's "Queen" composer in the later period. From Ultraman Ginga to Ultraman Orb in the new generation, he single-handedly produced music.

As for Kawai Kenji, this guy has a wide range of businesses. Although he has also made Tokusho music, the number is not as many as the first four. The main representative works include the music of Nexus, Geed and Silo.

He also participated in the music of Kamen Rider Build.

As a music idiot, Meng Lang couldn't comment on the composition level of these five people. Anyway, he thought Altman's music was pretty good.

But these five people were not the music composers of the first generation, and the music composition of the first generation was in charge of the music composition of the first generation.

This is the music master who has been forgotten by many Austrian fans!

He participated in the production of "Godzilla", "Ultra Q", "Ultraman (First Generation)", and "Jonias Ultraman".

Among the songs of Miyauchi Kunirou, the most well-known to the public is the theme song "Song of Ultraman" in the opening title of the first generation of Ultraman.

without any exaggeration……

This song influenced a generation!

Although the songs are classics, it is definitely not possible to copy them as they are.

The music production of the first generation was contracted by Meng Lang to the music team who had previously produced theme songs for many animation works.

The strength of this team is very strong!

But strength does not mean that you can make music that satisfies Party A. For example, Meng Lang was very dissatisfied with the theme song they made, so he hummed a piece of "Song of Ultraman" himself!

After Meng Lang hummed the basic tune, Li Tianming, the musician in charge of the composition, picked up his notes and played it on the piano.

After playing, he seemed to be inspired, ignored Meng Lang who was on the side, and entered the working state as if no one else was there.

Meng Lang didn't urge him, and after making sure that he wouldn't be able to produce the finished product for a while, he turned and left silently.

Three days later, Li Tianming submitted a song demo to him.

Meng Lang listened to it and found that the song was very different from the version he hummed, like a magically re-arranged version of "Song of Ultraman".

The style of music is more burning and passionate. If the version he hummed is like a girl's whisper, then in this version it becomes a macho roar!

The words are also filled in:

In this starry universe

What kind of miracle exists?

UI Traman!

Explore the miracle of this starry sky

Kingdom of Light, Cosmic Heroes

firm belief in guardianship

coming! Our Ultraman!

Let's fight! Even with scars!

(for this blue planet)

Guard, the peace of the universe!

(cross hands together)

Burn life, just for this moment

in this sunset

Oh ~ UItraman!

The Hero of Light Comes~! !

The effect of the demo was simply explosive. After listening to it, Meng Lang paid the final payment with satisfaction, and asked Wang Kui to find a high-quality singer to sing.

Although the title of the song is still called Ultraman's Song, this version of Ultraman's Song has completely changed its appearance.

Abandoning the full "Showa" macho atmosphere of the original version, it has been converted into a tune that is more in line with the positioning of today's era, which sounds good.

Of course, the original "Song of Ultraman" can't be wasted, it can be made into a neon version of the theme song!

If the neon kids think this song is old-fashioned, that's okay, just blame it on TBS.

Just say that the neon version of "Song of Ultraman" is produced by TBS and has nothing to do with PD Company.

Well arranged!

In addition to the theme song, there are ending songs, interludes and other music that need to be produced.

However, the requirements for this part are much lower, at least not as time-consuming and labor-intensive as the theme song.

The music of the first generation is under intense production, and the leather case and model group are not idle.

The monster holster is a big project!

There are five types of monster leather cases currently on the scene, namely the space monster Bermura, the space ninja Baltan Starman, the transparent monster Nelonga, the sea ape-man Lagon, and the strange plant Green Mons.

There are more than 30 types of monster leather cases that have not yet appeared!

This is a very scary number!

Even if the leather case model group maintains a high workload of 996, the production progress of the leather case still cannot catch up with the filming progress of the crew.

As a last resort, after filming the first five episodes, the crew had to suspend work temporarily, waiting for the leather case production team to provide new leather cases.

The leather case being produced is the Sea Beast Gesla Leather Case, which is an underwater monster that looks like a "fat-headed fish". The prototype is Bida in Chapter 26 of "Ultra Q".

Speaking of which, most of the monster prototypes of the first generation came from "Otto Q".

Here lies the problem!

When Tsuburaya made the first generation, the leather case of "Ultra Q" in the warehouse can be used after changing it. But when it came to Meng Lang, he didn't shoot Ultra Q, and there was no ready-made leather case to use. Every monster appeared had to make a new leather case. After designing, modifying, and producing a set of processes, he couldn't catch up with the shooting progress.

"Mr. Meng, why don't we change the shape of the leather case that appeared earlier and make do with it?"

Seeing that this was too late, Wang Kui couldn't help but suggested.

Meng Lang was silent.

Changing leather cases is a bad habit, he, Meng Zai, does not lack money to do this kind of thing?

"Take the Bermuda leather case and modify it to make a brain wave monster Yang Ge!"

I'm sorry Yuangu-san, I, Mengzi, wrongly blamed you!

It feels really cool to change the leather case!

No wonder Tsuburaya always likes to let the classic monsters come out to make soy sauce. It turns out that changing the leather case will really make me feel happy!

Even though the filming of the first generation hadn't been finished yet, Meng Lang had already made up his mind to learn from Yuangu-sang in the future.

Monsters can't have relatives? !

Ultra Brothers can have it, why can't there be Monster Brothers?

Since they are monster brothers, it makes sense that they look almost the same.

After deciding on the recycling plan for the monster leather case, Meng Lang seemed to have thought of something again, and asked the designer, "Where's Sophie's leather case?"

"The Sophie leather case has not yet started, our work is mainly to design and make the monster leather case..."

The leader's addition is over, and then the addition of the Silver League (20 updates)...