Tokyo Literary Godfather

Chapter 200 The Battle Has Just Begun

Returning to Mizuha Production Company, she saw Kei Fujiwara approaching. Yui Mizuhara wanted to pounce on him and take a bite out of his face.

He was already handsome, but now he looks even more likeable.

"Fujiwara." Mizuhara Yui walked over and said, suppressing the excitement in her heart, "The ratings of the last episode of "Homeless Children" reached a historical level, ranking sixth in history."

Kei Fujiwara took the ratings report, glanced down, and said, "Not bad."

It is even better than the original "Homeless Child" in the parallel world. The final episode of the original "Homeless Child" has a broadcast score of 37.2%, which is already very outstanding, but it has achieved better results in this world.

The reason why it is higher is that Kei Fujiwara, as a bystander and practitioner, knows the detailed ratings of each episode of the original version and the shortcomings of the show, so he made some changes.

Of course, Morimata Inoue's outstanding acting skills are also part of the reason. Kei Fujiwara thinks she is better than Yumi Adachi.

After reading it, Kei Fujiwara returned the ratings report to Yui Mizuhara.

Mizuhara Yui took back the ratings report angrily, feeling a little disappointed with Fujiwara Kei's lackluster response.

Kei Fujiwara is a bit sultry... Maybe he would happily tie his tie on his head and do a striptease when he was alone at home...

I really want to see it, this guy lost his composure...

Mizuhara Yui seemed to have a little devil popping out of her heart, whispering to her.

"What are you thinking about?" Kei Fujiwara tilted his head and asked, seeing Yui Mizuhara a little dazed.

"Ah, it's nothing. I was wondering, where will the celebration party be held?"

All the works have achieved good results, and they have held countless celebration parties. Now the creative team has become accustomed to celebrations, and they are not as excited as they were during "The Long Holiday".

If I had known better, I would not have taken them to such an expensive restaurant to celebrate. It seems that raising the threshold is not a good thing... Mizuhara Yui cursed.

"Keep everything simple," Kei Fujiwara said. "Go and tell the members of the creative team about the ratings, but you have to warn them to guard against arrogance and impetuosity. The battle has just begun."

"Battle? Do you mean "Housekeeper Mita"?" Mizuhara Yui said with a smile: "I checked, and there were almost no decent competitors in the same time period during the broadcast of "Housekeeper Mita"."

"Don't take it lightly." Kei Fujiwara said, "Now the outside world should have realized that the [Yue Ninth] plan is not our temporary nonsense, so I guess the other five major conferences will unite to deal with us during this period. You should pay more attention As soon as they hear about their production plans, they will communicate with me in time."

The relationship between the five major liberation groups in Japan is like five frogs in a bucket. Each frog wants to climb out of the bucket, but once there is a sign of reaching the top, the other four frogs will try their best to pull it down.

There was a time when the Japanese broadcaster NBC relied on its excellent news programs and romantic dramas to dominate the world. However, the other five major broadcasters tried their best to suppress them during the broadcast time of their main TV series. They were severely discouraged.

Not long ago, Dongdao TV also thought about getting rid of its position at the bottom of the five major TV stations, so it poached people from major TV stations and concentrated on producing programs. It originally planned to find another way to accumulate viewers through late-night dramas and morning dramas.

As soon as things started to improve, the other five groups started to attack Dongdao Channel. Various well-produced morning dramas and late-night dramas were launched one after another, which made Dongdao Channel doubtful about life. In the end, it was decided that it would be better to safely show cartoons.

Of course, if everyone maintains the status quo, the Big Five will still get along happily. They are all friendly businessmen and will not make things difficult for each other. If a TV series that you have recently invested heavily in is going to be launched, as long as it is revealed, other TV stations will tacitly pay attention to avoid it and will not compete with you to the death.

When it comes to the award ceremonies for major awards, everyone can happily share the pork and spend the golden decade happily.

However, the emergence of Kei Fujiwara and the [Moon Nine] plan is destined to break the balance. How did Fukuyama Channel join forces with other channels to attack Higashishima Channel and Nippon Broadcasting NBC? In the near future, the other parties will also Use his own way to treat his own body.

"Homeless Children" achieved the sixth highest ratings in history and shocked the industry. Although I knew that the ratings of this drama would definitely be good in the end, I never expected it to be so popular.

What does the ratings score of 39% mean? The reason why Hidaka Junming has such a high status in the broadcast industry is because there is a drama in the top ten in history. The highest episode ratings of that drama are around 37%.

Kei Fujiwara's "Homeless Child" not only defeated Hidaka Junaki's "Gemini Detective", but also defeated the drama in which he made history.

Therefore, Hidaka Junaki lost well this time, but he might not have been able to win against the current Kei Fujiwara in his prime.

Due to the amazing ratings this drama received and the social impact it caused, the entertainment pages of major newspapers began to rush to report on it the day after the TV series ended.

The first is the old club Sankei Daily, which has two-thirds of its entertainment pages. As for the dramas in other time periods, I'm sorry, you can squeeze in the remaining one-third.

The report first mentioned the amazing ratings achieved by this TV series: 39%. Since the 1990s, Fukuyama Channel has not had a single episode broadcast more than 35% of the time. This is a remarkable achievement and deserves to be trumpeted.

"Homeless Child" relies on the final episode to go straight to the historical level. Among the five dramas ranked before it, three were filmed in the 1980s, and two were filmed in the early 1980s.

After 1991, the TV programs of the major commercial stations became explosive. The audience base did not increase much, but the number of TV programs increased by more than two or three times. After 2005, the Internet became popular and the TV industry became even worse. Therefore, the further back, the higher the gold content of high rankings.

In addition to its achievements, the most remarkable thing about this drama is the social impact it has caused.

【Sympathize with me! Just give me money! ] directly won this year's Newspeak/Buzzword Award and became the mantra of many young people. The popularity of this drama has also made many people pay attention to the cause of child welfare. Many welfare home staff said that since the launch of this TV series, the number of voluntary volunteers in the welfare home has increased a lot, and the number of children, especially girls, has increased. The adoption rate is also much higher.

Just a few days before the TV series ended, a consortium donated money to several children's welfare homes in Japan, under the slogan: Give all homeless children a warm home.

Just three days after the TV series ended, the famous writer Momoka Kamiya also published an article in a magazine.

The article seems to be a film and television review of the drama "Homeless Child", but a large part of it also describes the "homeless" time I spent in my childhood. Momoka Kamiya is a well-known columnist, and her article caused a sensation after it was published. Unexpectedly, this great writer also had such a bitter childhood.

At the end of the article, Momoka Kamiya also praised Kei Fujiwara, the screenwriter of this drama, thinking that he is a very good observer. He can see the cracks in society and the weaknesses of people's hearts, so he can create such excellent dramas. And I look forward to more and better works from him in the future.

The portrait photos that Kei Fujiwara hired a photographer to take for Inoue Morita frequently appeared in various media, and Inoue Morita suddenly became a hot new star, with constant film appointments.

The manager was quite reliable. He did not take advantage of this opportunity to desperately accept scenes for Inoue and consume her aura. Instead, he allowed her to settle down for a while. After a while, when public opinion became less impetuous, he would take on new films.

The senior leaders of Fukuyamadai wanted Kei Fujiwara to write the second part of "Homeless Children" quickly. Because the first part left the story suspenseful and had no ending, it was natural to shoot the second part.

But the earlier the second part is filmed, the better. The later it is delayed, the greater the risk will be. For example, Kei Fujiwara is about to terminate his contract in more than a year; another example is Mori Inoue...how come he has grown so tall after just one movie?

If he gets bigger, he is no longer a homeless child! She became a runaway girl!

Chapter 202/613
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Tokyo Literary GodfatherCh.202/613 [32.95%]