Chapter 239 "Entertainment Intern" (38)
Chapter 239 "Entertainment Intern" (3-8)
During the morning shooting period, the interns who always liked to go to other groups for walks came curiously, and then left with expressions on their faces in a trance.
What scene haven’t I seen?
No, I have never seen this before...
Especially those on the director's team. They originally wanted to chat with Fang Youwen, but they were shocked by Qin Jue. When they went back and looked at the actors in their own team, they felt that something was wrong.
What kind of actor is an actor who can’t carry a Steadicam to relieve the director’s worries?
actors:? ? ?
Qin Jue, who inadvertently caused strong psychological fluctuations to other interns, had no awareness of it and was very comfortable following and filming.
It’s great to be able to play something different and help the crew speed up their efficiency.
After filming until noon, Qin Jue took off the Steadicam and camera, and the crew gathered around and ate lunch.
Nie Xingliang somehow convinced his mother that he no longer had to spend time in the nanny car outside of filming. In his words, it was called "disguised imprisonment" and "a modern version of the little prince in the tower."
With his face as tender as sixteen or seventy-seven, it really doesn't feel out of place to mention "little prince".
Qin Jue quietly picked up the lunch box on the side. Although she didn't know the reason, she had liked this atmosphere since "The Cage".
During the filming breaks, we sat together, ate, and chatted. Whether they were the creative team or the low-level workers, they were able to blend in easily and have fun chatting.
In the afternoon, Lin Rou came out of the dressing room, wearing a school uniform shirt. Her hair was a variant of a ponytail. She felt that the weather was too hot and was tied behind her head. Her youthful atmosphere was mixed with a bit of mature and generous femininity, which is exactly what a young girl and an adult look like. The transitional stage has a unique charm.
Such a gentle and beautiful girl is Qin Jue's sister.
Before the shooting, Qin Jue sat quietly on the edge of the playground and looked at Lin Rou, with some softness and cunning in his eyes, the way every boy looks at his crush.
Fang Youwen's "action" came and filming began.
These lines ended quickly. The moment Lin Rou raised her eyes and the few seconds Qin Jue tilted her head and snickered were all recorded in detail in the camera.
"Huh? So what do you mean?"
The scripts everyone received were in bits and pieces. Lin Rou was still wearing the school uniform jacket that Qin Jue had thrown down on her head as a prank, and she looked around curiously.
Yuan Xiao and Fang Youwen laughed and said nothing.
Qin Jue just smiled and raised his hand to carefully take off the school uniform, not letting the zipper cut Lin Rou's hair.
She balled up the school uniform in her hands, and suddenly she snapped her fingers, and a small cluster of flames burst into flames. In Lin Rou's surprised cry, the school uniform disappeared and turned into a bouquet of big roses.
"Alas--!"
Luo Hanzhang cheered loudly.
"Hahahahaha." There was a hint of sadness in Fang Youwen's smile, "Teacher Qin started again."
"Here, take a photo."
Qin Jue put the flowers into the arms of Lin Rou, who was stunned and delighted. He stood on a higher step and squatted down holding his knees.
Lin Rou looked at the camera, she looked at her, and the picture was frozen in the behind-the-scenes photo.
The onlookers cheered one after another, and only Fang Youwen slapped Yuan Xiao hard on the shoulder.
"You are really nothing." He sighed.
"I'm really nothing." Yuan Xiao also said.
After the filming of this sweet and sweet clip filled with pure love, Lin Rou, Luo Hanzhang and others had other work to do and left in a hurry. Nie Xingliang had a meal at noon and was forced to go to the next announcement. , with a grimace on his face before leaving, Qin Jue stuffed him with two boxes of pocky.
As the daylight passed, only Qin Jue was left among the actor trainees.
She changed back into the sweatshirt she had worn this morning and stood at the edge of the set, listening to Fang Youwen telling her and another extra the scene.
There are two difficulties here. One is that the shooting position is right behind the extras. This is the technique used by Fang Youwen when filming "The Invisible Lover", telling the story from the perspective of "someone"; the other is that Qin Jue and The actor's opposite role is followed by her solo performance, but these two scenes are not consecutive in the story, but now they have to be filmed together.
Most of the filming will be done according to the regular venues and actors' schedules. If the actors have not read the script completely during filming, they may not know what they are filming. This is why many domestic dramas have very fragmented presentation effects and feel that the plot is confusing. , the atmosphere is broken, and the actors are completely absent from the play.
The two scenes that Qin Jue wanted to shoot consecutively were not that far apart in the plot, only one day in total.
The day before, she heard something from "someone" and experienced suffering. Today, she went to the playground to meet Lin Rou and then returned to the bedroom.
One is the initial struggle and despair, and the other is the helplessness and relief of accepting fate.
After checking the lines twice, Qin Jue and the extras went into battle.
The extras did not need to appear on camera, so they only wore ordinary T-shirts and shorts, with sandals on their feet, which was incompatible with the entire background. However, Qin Jue automatically changed into the corresponding character in his sight, without a trace of a smile on his face.
This determination alone is stronger than most popular actors.
In the highlights of many film and television dramas, the actors' abrupt laughter scenes have been criticized by the audience. Just watching them makes them feel that there is something wrong with their attitude and they are not serious.
Fang Youwen sighed secretly and started filming.
From the perspective of the extras, Qin Jue was given a complete face-off shot. The distance was extremely close, from his forehead to his neck, and he was looking down. Any flaws in his face or performance could be seen.
After filming for a long time, Fang Youwen was completely relieved and announced that these items were passed.
Qin Jue reached out and rubbed his eyebrows, closed his eyes, and waited for the makeup artist from his team to come over and touch up his makeup.
She realized a problem last night, that is, her experience was much richer and crueler than that of ordinary people. Characters like Chi Na and Mo Sen were very suitable for her, but "Qin Jue" in the third round was just a An ordinary little boy who was adopted.
Although "he" did not grow up under the love and care of his biological parents, he had a generous father and a gentle sister. It was not difficult for "he" to grow up. He was cute and a little handsome, and was very popular in the class. I have good friends, I am good at sports, my grades are pretty good, and my life path cannot be linked to being "miserable".
In other words, the despair "he" bears is just a trivial matter in Qin Jue's eyes. There are so many possibilities to redeem, change or even take revenge that it is nothing at all.
How to eliminate this potential sense of superiority based on personal experience and fully understand the character's mood is indeed difficult for Qin Jue.
Because everyone's suffering is not the same, and the impact of suffering on everyone is completely different.
Smith once mentioned in "The Theory of Moral Sentiments" that "our sympathy for the misery of others" comes from "exchanging our own superior position for those who suffer." *
This is a scornful blow to Qin Jue himself, but to "Qin Jue" in the play, it feels like the sky is falling and the earth is falling into a sinking abyss.
She took a deep, slow breath, let it out, and opened her eyes.
"I'm ready, let's get started."
Qin Jue said to Fang Youwen.
[1] Chen Jing (translated). Adam Smith's "Theory of Moral Sentiments" [J]. Chinese Journal of Social Sciences, 2009(7):10.