Chapter 132 The Qualities of an Actor

Qin Jue coughed and took the water from He Chang.

"Mr. Sen, I'll give you this lozenge. It will make your throat feel better." Wang Ming also handed something over, her eyes were still red and her makeup was a little stained.

In the nanny car that was driving, there were He Xu, Tang Ting, Mu Sisi, He Chang, and Wang Ming.

At three o'clock in the afternoon, they went to the familiar streets with Qin Jue.

"A genius approach."

At that time, He Xu saw Qin Jue's back carrying the guitar and sighed.

This child made "Mo Sen" his own and regarded "Qin Jue" as a foreign soul.

If it were Mawson himself, he must have a strong psychological shadow and would not dare to step onto this crossroads, unwilling to face the unbearable past. Therefore, Qin Jue's "soul" controlled this body and did it.

She stood there and healed Mawson under almost the same circumstances but with completely different results.

When Mo Sen reached reconciliation with herself, Qin Jue's soul returned to her body, accepted the emotional feedback from Mo Sen, and regained the ability to shed tears.

He Xu has been in the film and television industry for decades, and the only one who can think of and do such a thing is Qin Jue.

Some actors strip and destroy themselves in order to get into the role, and they will always carry the shadow of the role with them for the rest of their lives.

The work has been accomplished, but one cannot fulfill oneself.

Not to mention the many actors currently who are unable to get into their roles and whose acting skills are superficial.

In fact, the natural conflict between "actor" and "role" is a problem that every director and actor has been studying since ancient times.

And many results have also proved that it seems that these two things must choose one of them and then go to the extreme.

There are very few actors who can handle themselves and their characters relatively harmoniously.

Many directors regard their works as the highest priority, and some even specialize in discovering amateurs and training them with no relevant experience to become the characters they want. After the filming is completed, they win awards and gain fame, then Throw away the amateur actors who have been completely stereotyped.

As for whether they can step out of the shadow of their characters, who cares?

In He Xu's view, this is the most unforgivable sin as a director, but in reality, such people and things are regarded as norms. It seems that one-sided pursuit of artistry is called a "truly dedicated filmmaker", and that destroying an actor is called "Dedicate yourself to art".

Investigating its essence, isn't it still like a commercial film that treats the audience as leeks and the actors as human beings? !

However, suffering turns to bitterness, anger turns to anger, even He Xu can only sigh heavily, not knowing how to solve this problem.

When meeting an immersive actor like Qin Jue, the most he can do is to pamper the child a little, give her some food and drink, give her the green light in innocuous places, and try his best to restore her mood and state appropriately.

Because He Xu is the director, he must be responsible for the quality of the work. It is impossible for Qin Jue, an actor, to play the role of Mo Sen half-heartedly just because of her condition. If she really does this, it will not be a good thing for Qin Jue. .

So for a while, this problem was stuck here.

Qin Jue's performance was poor, and He Xu was worried about the character; Qin Jue's performance was good, and He Xu was worried about her.

But Qin Jue respects the work and the character, so he devotes an extraordinary attitude and energy to the performance. This is obviously a good thing for the actor. He Xubi couldn't stop her, but if he didn't stop, he would just watch Qin Jue feel uncomfortable.

A dilemma, nothing more than this.

Finally, Qin Jue solved the problem by himself.

She knelt on the street and cried bitterly, crying so loudly that it was heartbreaking to hear.

This emotion comes violently and recedes very quickly. After only a few minutes, Qin Jue gradually stopped crying, took the tissue and handkerchief from Zhang Ming, bowed silently to the passers-by and the audience around him, packed up the microphone stand and stereo, and walked in the opposite direction with his guitar on his back. go back.

No one could not understand the atmosphere and rashly stepped forward to stop her. Even the voice of shouting "Come on" was not very loud. More people were comprehending the song and reminiscing about their own lives.

Qin Jue walked along, but he didn't know what method he used. As he walked, his figure completely disappeared from the sight of passers-by.

The real-time live broadcast also dimmed, and within a few minutes, Qin Jue appeared outside the car door and tapped on the window.

...To be honest, if it weren't for the tears on her face, it would be quite scary to do this.

As for the subsequent popularity of the road-shot video on Vblog and other social platforms, the crew of "Rain in the Day" did not spare any time to care about it.

There was a small screen in the nanny's car. Tang Ting turned off the barrage and cast the live broadcast on the screen. He Chang and Wang Ming kept watching.

Those of them who don't understand Ni language very well can still watch the pictures and the Chinese subtitles provided in the live broadcast room.

Almost during the first chorus, everyone in the car broke through.

If I hadn't still had some sense and was still "holding on", I'm afraid I would have cried with my head in my arms.jpg

When Qin Jue came back, several people gathered around and handed her something, which made her laugh.

"I'm not a porcelain doll." Qin Jue's voice became hoarse because he had cried. "What a big deal."

Before He Chang could say anything to Wang Ming, she calmed down her expression: "The actor and the role must be separated. Don't sympathize with Mo Sen when you are acting opposite me. Be careful that you die first."

The gloomy look with murderous intent made Wang Ming hold back the tears that almost came out again, and pulled He Chang's sleeves, making the two of them tremble together.

He Xu was stunned, laughed heartily, and reached out to rub Qin Jue's hair.

"Old man, my hairstyle..."

Qin Juesong complained, and Mo Sen's state at that moment suddenly disappeared, and the switch was unexpected.

He Chang and Wang Ming might not be able to tell anything, but Tang Ting and Mu Sisi looked at each other and saw the horror and shock in each other's eyes.

What a strong acting control!

This time Qin Jue really managed to move freely!

Not saying too much, but at least in Moson, in the movie "Daytime Rain", Qin Jue's performance and state are enough to be called the pinnacle.

"Where are we going now?" Qin Jue asked.

"Go back to the studio." He Xu replied.

"The one hundred and forty-seventh scene?" Qin Jue answered instantly.

"right."

"Are there any bullets in the prop gun?"

"It's possible, what are your plans?"

"My marksmanship is very accurate. You can adjust the angle and hit the target at the wrong position next to the forehead, or just don't need bullets at all. I can do it."

"Well, we'll see then."

"good."

The remaining people were stunned as they listened to the conversation between these two people.

"This is professionalism..."

He Chang whispered.

Wang Ming remained silent. He didn't know what he thought of, but his expression changed slightly, as if he was making some determination.

She looked at Qin Jue quietly. That man, whose mood had fluctuated so much that all onlookers felt sad, wiped away his tears and looked at his notebook with a calm expression.

They are all familiar with the cover of Qin Jue's notebook.

The black cover is a biography of the character, which can be modified as you write; the blue cover is the annotation of the rhyme and intonation of the lines, as well as the character's state and psychological changes at that time; the white cover is the filming experience on the set, which can be used for "taking lessons" during the script reading This is the book that I used when I was teaching He Chang and Wang Ming.

"From him, I saw the quality of a good actor"... Although Wang Ming was not present when Gao Mulong said this, she felt the same mood at this moment.

It seems that if I want to act well, my current efforts are not enough.

Change first and then change.

Okay, the update is back. The one at midnight counts as yesterday’s update√